Pauline Prescott’s story is one of remaining plucky and loyal through good times and bad. A national treasure, says Rachel Cooke

It’s easy to sneer at Pauline Prescott, to take the mickey out of her fondness for such things as cutting the crusts off sandwiches, and plenty of people already have. They should be ashamed of themselves. The older I get, the more I admire women like her: kind, self-effacing, loyal, plucky, polite, always beautifully turned out. Her pleasure in simple things – a decent bun, the occasional illicit glass of hotel champagne – speaks to the deracinated Yorkshirewoman in me, who was brought up to believe that the very worst thing you can be is spoilt. Midway through her autobiography, Prescott refers to the “Beverley days out” she enjoys with her girlfriends. If you don’t know Beverley, the minster town that passes for posh in the East Riding, this phrase will be lost on you. But it wasn’t lost on me. The treat of Beverley! Faster than you can say “Dorneywood”, I was on the internet, looking for a hotel.

Dorneywood, traditionally the Chancellor’s grace and favour house, is where Pauline and her husband spent their weekends during the decade he was deputy prime minister. The original plan, on his elevation in 1997, was that he would get Chevening, the Foreign Secretary’s retreat. But Pauline took one look and thought: too big, much as she did when she first saw the couple’s rather grand castellated home in Hull (“All I could think was: how am I going to clean all this?”). This is Pauline all over: easier to get Cherie Blair to admit that Tony cocked up Iraq than to turn Pauline Prescott’s head. Of course, if it did happen to turn, not a hair would stir in the process. When she married her merchant seaman beau in 1961, in a satin dress from Nola Gowns of Chester, her day was ruined by, among other things, the fact that her “industrial-strength” hairspray melted the diamante on her tiara, spattering her back-combed hair with silver. In her book, Pauline pays dutiful lip service to her husband’s Labour values; when he first stood for parliament, she made him the biggest, reddest rosette you’ve ever seen. But you can tell that what she really believes in is the power of the can, be it hairspray or furniture polish.

Pauline Tilston was born in Chester in 1939, the daughter of a bricklayer and a cleaner. As she tells it in Smile Though Your Heart is Breaking, the family is poor but happy, and Pauline, a keen dancer, dreams only of becoming a television “topper”. Then, calamity. Her beloved father dies suddenly; her brother contracts TB and is exiled to a sanitorium; her mother suffers an industrial accident at a local laundry. It’s all a bit John Braine at this point. Life, however, picks up when Pauline, beautiful and by now a hairdresser, begins dating an American serviceman called Jim. She likes Jim so much she gives him her bronze tap-dancing medal as a keepsake. He is married but intends divorcing his wife, or so he claims. When he leaves for home, Pauline is certain that he will return and claim her.

You know what’s coming next. Poor old Pauline, who is only 16, discovers that she is pregnant. Jim does not return, and his girl is dispatched to St Bridget’s House of Mercy, a home for unwed mothers, where the nuns encourage her to scrub the floors because “this helps get the baby’s head into position”. Pauline’s mother insists she cannot keep her baby – there is no money – and, having resisted the idea of adoption for three long years, during which time her son, Paul, remains in state care, she signs the papers. By this time, Pauline is seeing John Prescott, whom she met at a bus stop (their first date was a trip to the cinema where her Uncle Wilf played the Wurlizter). Now, there is plenty to be said about Prescott and the way he carries on; when I interviewed him, he flung his legs over the arms of his chair and pointed his groin at me like a gun. But he comes out of this period faultlessly, often travelling with Pauline to visit Paul, and, unlike his mother, never making her feel in the slightest bit ashamed. Given the time, and their social class, is it any wonder that she married him?

John decrees that Pauline must stay in his constituency with their own two sons when he is in Westminster, so no exciting New Labour gossip in her book’s dull middle section. Yes, she discovers that her husband is bulimic – food keeps disappearing – but as her mother says: “It could have been worse, Pauline. John could have become an alcoholic, and that would have been much more expensive.” Flip through a few pages, however, and the story picks up. The tabloids find Paul, a Tory-voting military policeman, and they are joyfully reunited. Then John confesses to an affair with Tracey Temple, his diary secretary. I imagine that Pauline found telling her ghost writer about this extremely painful; certainly, she’s coy so far as the, er, ins and outs go. But you cheer when she describes her coping mechanism: her downstairs loo, which she is doing up, a project that cannot be derailed. Lipstick, mascara, a permanently boiling kettle: these things comprise Pauline’s armour, and it’s John, not her, who, some days later, must nervously inquire if their marriage is over. Even better, as she seems to know, these events, combined with her cherishable cameos in the television shows her husband has made since leaving government, have since turned our heroine into a bona fide national treasure. At Mr Chu’s of Hull, the Prescotts’ favourite restaurant, it’s now Pauline’s beautifully manicured hand that people secretly want to shake, and I don’t blame them. She’s great. A peach,and a trooper.


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